 Before embarking on his tour to perform with the Florida Orchestra at venues like the Performing Arts Center in Tampa, the Mahaffey Theater in St. Pete, and Ruth Eckerd Hall in Clearwater, Tito Puente Jr. took a moment to chat with Cigar City Magazine from his home in Miami. While in Tampa, Tito Jr. and his band made a surprise appearance at our Cigars and Stars event at the Ybor State Museum, just prior to the Cigar Heritage Festival. The crowd was treated to an impromptu performance, and Tito took the time to snap photos and sign autographs for fans. In this interview, Tito shares insights about honoring his father's musical legacy and the global impact of Latin music. CCM: Coming from such an iconic family, did people naturally expect you to pursue a career in music? Puente: Absolutely. Growing up surrounded by music made it clear that I would likely end up in the entertainment world. However, I explored various genres, not just Latin music—I had a strong interest in rock as well. CCM: Your recent tour primarily features your father's music, while your earlier projects leaned more towards dance-oriented tracks. What prompted this shift? Puente: In the late '80s, I was deeply involved in rock, but spending time with my dad reignited my passion for jazz and his work. I also delved into hip-hop during my college years, immersing myself in NYC's vibrant club scene. Transitioning from rock to Latin dance music allowed me to connect more intimately with my heritage, blending live percussion with house beats. CCM: Did your father teach you percussion, or did you receive formal training? Puente: Interestingly, I didn't learn percussion from him directly. What he instilled in me were values—how to be a good person and a provider. He encouraged my education, emphasizing the importance of reading and writing music, which I truly appreciate. CCM: How significant is music in Latin culture? Puente: It's immensely important. Latin music is a cultural cornerstone. Growing up, I listened to my father's music and legends like Celia Cruz and Johnny Pacheco. For many Latinos, food and music are central to our culture—they truly define who we are. CCM: Can you explain the origins of the term "Salsa"? Puente: My father used to joke that salsa was what you dipped your chips in! The term originated in New York in the '70s and became a global phenomenon. However, the music encompasses various styles, like Mambo, Rumba, and Cha Cha Cha. The term is fun, and I don’t mind it. CCM: How would you describe your current musical direction? Is it an updated blend of Latin styles? Puente: Our shows in Tampa are unique. We play Salsa and Mambo, the music my father popularized in the '40s and '50s, now enriched by the Florida Orchestra. It’s a modern take on traditional Mambo, creating a fresh experience. CCM: Having grown up in New York and now residing in Miami, how do the Latin communities compare? Puente: They’re worlds apart. Miami has a significant Cuban influence, while New York's sound incorporates more jazz elements. Tito Puente's music resonates with the swing of Duke Ellington and Count Basie. His arrangements were groundbreaking, and even today, people of all ages dance to his music. "Oye Como Va," for example, was initially a flop but has become one of the most iconic songs of the 20th century. CCM: What’s the general awareness of Latin music's influence in areas outside major Latin populations? Puente: The influence of Latin music is at an all-time high globally. My father was a pioneer, performing in places like Japan and Australia, paving the way for artists like Ricky Martin and Gloria Estefan. Today, there's a solid fan base for the music I play. I’m excited to share these rhythms with diverse audiences everywhere. What's Tito Puente Jr. Up to Since 2008? Since 2008, Tito Puente Jr. has significantly expanded his musical journey. He has released several albums that continue to honor his father's legacy while incorporating contemporary influences. Tito has been actively touring, captivating audiences worldwide with his vibrant performances and innovative collaborations. He has also engaged in educational initiatives, teaching the next generation about the rich history and cultural significance of Latin music. His passion for music remains as strong as ever, and he continues to be a vibrant ambassador for Latin rhythms and culture.
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